The kidnapping of Michel Houellebecq ~ Gazes of Cinema: 2 File. When I was brought to this jail pueblodebo confess that I had miedopero I recognize now that I was equivocadoaquí treat me better than in any side. Total Loss. There are writers who do not like the embrace in the media. J. D. Salinger and Thomas Pynchon are the examples remembered more often. It is an attitude that seems quite natural and even consistent. The literature allows you to say many things without the need of having in front the recipients of the message, so it seems the ideal medium for those who prefer to avoid their congeners to the extent possible. Others, on the contrary, as can be Stephen King, or Michel Houellebecq, which we will deal with these lines, one day appear in a movie. Then gives them for leading their own, and they end up becoming characters in their own novels. From there, you decide that that is not so bad, and that they are the most comfortable in front of cameras and microphones. Now Houellebecq plays himself in a fictional movie. The next logical step should be participation in a reality show. Without a doubt, should be called (courtesy of Javier Pulido) How to train your Drago, and only they could participate, writers and pundits “serious”. And it's funny in a guy like him that, in response to that comment on your person in the recent interviews, both in Spain and the Venice film festival, is as it appears in The kidnapping of Michel Houellebecq, with that aspect ageing and scruffy, with that apparent carelessness with which he treats anyone who approaches you on the street. If we stop to observe their vision of the world and of the existence, or at least from what he writes in his novels, does not seem to have much faith in humanity. His “celebrity” of the last years might seem like a contradiction, but it could also be seen as a way of showing the absurdity in which we live. Day-to-day, as I said Rambo. If in his latest novel, The map and the territory (Le carte et le territoire, 2. Michel Houellebecq was beheaded and dismembered savagely in the film by Guillaume Nicloux, as the title already announces, suffers a kidnapping whose outcome I'll try not to reveal. After several scenes, day-to-day in the life of the protagonist, which is limited to displaying conversations inanes with people crossing by the street, and with some friend or acquaintance, which the first notes on its eccentricity, there is the abduction itself, in charge of three individuals who perfectly may be related to the French of the protagonists of Pain and money (Pain and Gain, Michael Bay, 2. A large part of the value of the film lies mainly in the spontaneity of the dialogues that one way or another point to the comedy, although the comparison with the movies of Woody Allen phrases promotional does not cease to be brought by the hair, among other things because the film of the new yorker is in continuous motion, with a multitude of locations, that has nothing to do with the component theatre for the French film, and its characters locked in a house in the country gathered to dialogue almost all the time, in one or another room. Agree, that yes, in that the characters ride their phrases on top of each other (probably doing a hell of the work of the subtitling of the dialogues), but precisely there lies its naturalness and its value. Which also brings interest is his sense of humor, that reaches the height of the surrealists, with a prostitute or a doctor to make visits to the writer, that coexists with the kidnappers and the parents of one of them, as if it were a neighbor of the village. The early emergence of the Stockholm syndrome, after the natural initial concern (the fact that the kidnappers go with the face uncovered is not a good sign, "according to the novels"), going to open up the passage to the physical comedy, in which we see the protagonist learning wrestling practice, or the mysteries of bodybuilding (the moment you try to, forced, to move the muscles of the chest alternately from then is priceless), but also dialectical, because their texts are sometimes very funny (for example one in which the hijacker "bodybuilder", probably with literary preoccupations, begins to interrogate him on as inspiration and his influences, and Houellebecq will dispatches saying that it gives everything the same, that what is important is "to be without doing anything, then you get bored, and when you take a bit boring, after you things happen"). And yet, the writer and director find the space to make changes of registration, allowing most intimate moments, or reflective (that in which the writer explains how he discovered that he was afraid of the word “father”) or directly protest, as when, near the end of the film, the author of Broadening the battlefield (Extension du domaine de la lutte, 1. Brussels is the perfect setting for a civil war". Recurring themes such as the burner that does not want to pay (prefer to come to your call, although for him, smoking is almost like breathing) that does not cause a fire, how much is left to release, or who is to pay the ransom, reinforce the feeling of confinement, in the same way that there seems to be an evolution in the story or a narrative thread clear beyond the circumstances that unite them all in that house of field. And as time progresses and the release looks like an option, that output could perhaps reveal that it is worse the life you wore, and that he would return, that microuniverso in which he now dwells, and where it could almost be said that it is... The spectator and a writer, both prisoners in such a situation, there is nothing left but to wait for the outcome. O to escape the fast track, each one (leave the room to commit suicide). The New Commune (2017) Movie there. But the movie is good, and the kidnappers are nice people. Not being evil in the background. Read reviews of The kidnapping of Michel Houellebecq, directed by Guillaume Nicloux. Ao: 2014. Consultation reviews of users and opinions on The. The kidnapping of Michel Houellebecq guess with what could have happened in those das if the life had a writer's witty and with a sense of humor. DOWNLOAD. DOWNLOAD. Minhat. See Code M (2015) Online Free Title original: Code M. The kidnapping of Michel Houellebecq L enlvement (2014) 7. The kidnapping of Michel Houellebecq. Houellebecq is kidnapped by a group of. Watch movie The kidnapping of Michel Houellebecq (2014) online or download it for free. The kidnapping of Michel Houellebecq February (4) January (4) 2014 (1) December (1) Simple Subject.